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original title: Resident Evil

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tags: Survive the Horror

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A virus has escaped into a secret facility called "The Hive," which chemically turns the staff (Umbrella Corporation) into man eating zombies and releasing the mutated lab animals that they were studying. The complex computer (The Red Queen) shuts down the base to prevent from infection. The parent corporation sends in a military unit, where they meet Alice who has only a short time to remember who she is and what is her mission. who which is suffering from amnesia due to the nerve gas released into her bathroom. The military must shut down the computer (The Red Queen) and make their way back out of the Hive. Fighting their way past zombies, mutants and The Red Queen before the T-Virus escapes and effects the rest of the world. Its up to Alice to defeat the virus, if she loses, we all lose. A crack team is sent to the 'Hive', the mighty Umbrella Corporation's secret underground lab complex, which was locked-down by it central computer 'Red Queen', after its staff of 5000 fell victim to nerve gas. They pick up the secret entrance-resident underground security couple, both suffering from amnesia because of the gas. The computer's crafty defense soon kills half of the team before whiz kid Chad Kaplan outsmarts it. Then they find the staff has been turned into cannibalistic zombies, while experimentally miss-bred hell-hounds complete the bloody inferno. The auto-destruct is programmed in two hours, to prevent out-world infection. And at least one member has a criminal secret. This movie is pathetic. Anderson has bought to life a boring, stereotypical 'blockbuster' type film which is an insult to the original games. Being a huge fan of the games, by the way, dating back to 1996 when it was first released, I know what I'm talking about. In this film, Anderson has developed his own ideas into the world of Resident Evil and created what's known as 'The Hive'; a 'never heard of before' top secret laboratory located in a beehive-like facility under Racoon City. First off, I must admit, that the beginning of the film is impressive - with the suspenseful clip of the virus being handled by a white suited scientist provoking fear and excitement. Also the introduction of the 'Umbrella'Corporation is pretty interesting. The whole idea could've worked, I suppose, if Anderson had made the trademark zombies look moreterrifying than just using extras with bluish coloured skin and tomato sauce slathered across their face, uttering 'Ohhh, Ahhh' and walking like they're either elderly or disabled. The 'Licker' in this movie looks like a bloody cartoon! I almost laughed at the image of it eating that dude on camera, it looked ridiculous. Also, Anderson used what looked like Dobermans' covered in a layer of barbecue sauce to portray the 'Cerberus'; which again, I laughed at when I saw it at the cinema. There's not even mention of a Tyrant in this film, which is again, a total disappointment, as Tyrant's are the the ultimate enemy in each and every Resident Evil game. Anderson should have based this film upon the original video game. Somewhere dark, haunted, in an old mansion. He should have used zombies that looked like decomposing corpses, which sound like a bag of crushing bones with each step they take, instead of stupid people with blue makeup running around sounding as though they're having an orgasm. Characters from the video games would have also been nice in this film, however Anderson, in his own little stupid world, creates 'Alice' and a bunch of commandos who invade 'The Hive' and then just try and escape again. In conclusion, I'd like to state that I truly believe this film (and later its sequel Apocalypse) could have been a lot more successful in they stayed true to original plots of the first and second games. I would have enjoyed to see that Spencer mansion explored much better than the Hive, and would have been more excited and scared by watching zombies that actually look dead and that are frightening. I don't think it was necessary for Anderson to make this into another stereotyped blockbuster film, as it already had an incredibly strong fan base and would have become a cult classic if it told the story of Jill Valentine and Chris Redfield's survival within the Spencer Mansion in Resident Evil 1. I wouldn't recommend it to any one who is a fan of the games as it's insulting and you'll only end up being frustrated at Anderson's lack of respect to the games' honour. I'm a fan of the game myself and have tried real hard to appreciate the movie, but failed to do so..What makes the game so addictive is its compelling-superb-story-telling,apart from its well-known horror and action genre..But the movie failed to deliver all that,and crippled by poor script and dialog..The sequence of the plot is so low-paced;and kept me as audience bored and waiting for something to happen..i can give credit for special effects though, because its not half-bad..but i always rate a movie emphasizing on its story and actor's performance, not it's special effects.. If i want special effects to enjoy my time,i would rather stick to the game.. While computer games can boast an abundance of nifty graphics and odious villains and plucky protagonists on long journeys, they're invariably a tad wanting in the cinematic essentials -- you know, stuff like plot and characterization and theme. Following the accidental escape of the T-virus in the Hive, Umbrella Corporation's secret viral weapons laboratory hidden under Raccoon City; an elite commando unit is dispatched to shut down the Red Queen, the supercomputer that controls the lab and has locked down all the scientists who live and work there. When the head of the commando team is killed by Red Queen, it becomes the mission of Alice (Milla Jovovich), who is suffering from amnesia due to exposure to nerve gas and doesn't know what she's doing there, policeman Matt Addison (Eric Mabius), and a few surviving commandos to finish the objective. Unfortunately, the virus has turned all the Umbrella scientists and employees into flesh-eating zombies. Alice and her team must make their way past zombies, mutated dogs, the Licker, and the Red Queen before the T-virus escapes and infects the rest of the world, and they must do this within one hour or be locked forever in the Hive. Resident Evil is based on a screenplay by English film director, Paul W.S. Anderson, who based his story on a survival horror video game series, created by Japanese video game designer Shinji Mikami and released in 1996 as Biohazard in Japan and Resident Evil in English-speaking countries. Resident Evil is the first in a series of six movies, the other five being Resident Evil: Apocalypse (2004) (2004), Resident Evil: Extinction (2007) (2007) and Resident Evil: Afterlife (2010) (2010), and Resident Evil: Retribution (2012) (2012). Resident Evil: The Final Chapter (2016) is due for release in 2016. You find out in the next movie (Apocalypse) that Dr. Ashford created this virus to help his "sick" daughter walk again. In the original game, it was created as a bio-organic weapon. The zombies were an unfortunate side effect. You can only turn into a zombie after you die. Red Queen killed everyone but, as they were already infected, they turned into zombies. You can also see this with Rain (Michelle Rodriguez). She turns into a zombie the moment she dies, although she had been infected way before that. Red Queen kills everyone by releasing the facility's fire prevention system, which contains halon gas. It can put out fires in the offices without ruining any computers, like water sprinklers would. However, if a person is exposed to a great deal of the gas, there is also a risk of toxic and irritant pyrolysis products, hydrogen bromide, and hydrogen fluoride. Basically, Red Queen poisoned the personnel. Since they were already infected by the virus, they came back as zombies. Most likely she killed them in the hopes that the virus had not yet infected all of them. Thus, to kill them before they inhaled the airborne virus was the safest move. Another possibility is that, being as how they were already infected, to leave them alive would cause the people to look for a way out of the hive and risk them escaping without knowing they're infected. Zombies, however, are relatively mindless and would not try to escape. Not to mention, some people would re-animate before others and to have them all trapped in a space together would just get them eaten alive. So to kill them all before they turned was a small mercy. The zombies never entered that room, so it's assumed that Red Queen had some sort of "self-cleaning" feature for the hallway. It's a reference to the games where bodies will disappear if you leave a room and then come back to it. Matt and his sister Lisa (Heike Makatsch) are environmental activists, planning to expose the illegal viral and genetic experimentation being secretly carried out by the Umbrella Corporation. With the help of a contact in the Hive, Lisa infiltrated Umbrella to smuggle out evidence. Alice was that contact. Alice and Spence Parks (James Purefoy) are security operatives for Umbrella. Their job is to protect the mansion, which covers the access into the Hive. As part of the cover, they are posing as husband and wife. The antivirus works because it cures. It didn't work on Rain because Red Queen herself said, "This long after infection, there's no guarantee it would work." Also, she was bitten numerous times in vital areas, causing the infection to spread faster. Alice and Matt carry the case with the T-virus and antivirus out of the Hive and into the mansion just as the doors go into lockdown. As they're sitting on the floor catching their breath, the wounds (caused by the Licker) on Matt's arm begin mutating. Suddenly, a group of Umbrella scientists in protective clothing burst into the mansion. Several of them tie Matt to a gurney and take him away, ordering him to be placed in the Nemesis program. Others subdue Alice and take her to Raccoon City Hospital to be placed in quarantine, while discussing how they're going to re-open the Hive to see what went on down there. Days (perhaps weeks) pass. Alice awakens in a locked room at the hospital, attached to numerous IV lines. She rips them all out and pounds on the window, but no one responds. She picks open the lock with an IV needle and makes her way outside to find the street littered with paper, dead cars, and small fires but no people or bodies. A newspaper headline reads "The Dead Walk", reporting that the T-virus has escaped from the Hive and spread to the city surface. In the final scene, Alice arms herself with a pump action shotgun retrieved from an abandoned police car and stands in the middle of the street, ready for action. One theory is that CAPCOM (the game creators) were afraid that people wouldn't buy the games when they could just watch the movies, so they fired director George A. Romero because his script was too similar to the games, and they hired Paul W.S. Anderson to keep the atmosphere of the games but come up with a different story. However, CAPCOM Public Relations Personnel deny that Romero was ever attached to the project and that CAPCOM had no direct influence over the movie. CAPCOM claims that it was Anderson who did not want the movie to match the game because he feared that, if viewers played the game, they would not be scared watching the movie, since they would know what is going to happen. Yes. Resident Evil: Genesis (2004) by Keith R.A. DeCandido is a novelization of Resident Evil (the first movie). DeCandido has also written novelizations of the other two movies: Resident Evil: Apocalypse (2004), and Resident Evil: Extinction (2007). There is also a Japanese novelization of the first Resident Evil film by Japanese writer Osamu Makino titled Biohazard (2002). Makino's novel is unrelated to DeCandido's version. There are also a number of novelizations of the videogame series, writen by S.D. Perry, but these are unrelated to the movies. Yes. Toward the end of the movie, it's revealed that Spence overheard Alice talking with Lisa about accessing the Hive in order to get enough proof to expose Umbrella and shut them down, so he decided to steal both the T-virus and the antivirus himself. To insure that he would be the only one in possession of the virus & the antivirus, he released one container of virus inside the Hive, intending that it be shut down, making his virus & antivirus extremely valuable.

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It is a distant galaxy, in the far future year, 10191. Arrakis is a desert planet and the only source of Melange, a vital drug used by Guild Navigators for space travel from star system to star system. Two families, the Atreides and the Harkonnens, fight one another for sole control of the Melange mining operations on Arrakis. When Duke Leto Atreides is assassinated by the evil Baron Harkonnen, Duke Leto's son, Paul, and Paul's mother, the Lady Jessica, flee deep into the desert of Arrakis. There, they are befriended by the Fremen, natives of Arrakis. Under the influence of Melange, Paul learns he has special powers and, that he can see into the future. Paul unites the Freman under his leadership, forms an army of warriors, and leads them into battle against Baron Harkonnen and the corrupt Padishah Emperor, Shaddam IV, who is in league with the Harkonnens. Paul vows to avenge his father's murder, and sets out to liberate Arrakis and its people from the Emperor's rule, and to fulfill his destiny. In the far future, a duke and his family are sent by the Emperor to a sand world from which comes a spice that is essential for interstellar travel. The move is designed to destroy the duke and his family, but his son escapes and seeks revenge as he uses the world's ecology as one of his weapons. It changed my opinion on David Lynch. A complete disappointment. Story is confusing/long/pointless, special effects look like those from the 20's, acting is bad (or waste of talents e.g. with Patric Stewart), and directing is again disappointing. I don't know what Frank Herbert thought of this film but I was sorely disappointed with this misguided adaption. The novel upon which this film is based is considered a classic of science fiction. A visionary tale of the far distant future that is a fantastic journey of the imagination. It created a world of details and transported you into its vision. This movie, on the other hand, manages to mangle even the smallest details of the book and reduces the complexities of the novel into the lowest common denominator. The first mistake was in casting the lead. Kyle MacLachlan and Sean Young are clearly too old to play Paul and Chani who are in their early teens when the book starts. They are fine actors in other works but here they are clearly out of place. The rest of the cast is fine and I must particularly commend the casting of Jurgen Prochnow, Francesca Annis, and Patrick Stewart as, respectively, Duke Leto Atredies, Lady Jessica, and Gurney Hallack. Unfortunately the miscasting of the leads and the unintelligible script doom this movie. If you want to go to Dune, read the book and skip this movie. This movie is a real mess, an incomprehensible, ugly, unstructured, pointless excursion into the murkier realms of one of the most confusing screenplays of all time. Nowhere. It just does not exist. The closest we have to David Lynch's original vision is the theatrical release. Some people sometimes refer to the extended TV cut as the "director's cut" (and some even dare to offer copies of it in various auction sites under that label), but that couldn't be further removed from reality, as that version was rejected by Lynch to the point of deleting his name from the credits. A legal DVD of Dune: The Director's Cut exists, but that's for the 2000 Sci-Fi Channel miniseries, not this film.

However, the cast and crew of Lynch's Dune have confirmed that Lynch showed them an 'assembly cut' of the film shortly after principal photography wrapped. Although the film had yet to go through post-production, the reaction was very positive. This cut has not been seen since (as is the case with most assembly cuts).

There is also a fan version available, that attempts to get closer to both the novel and David Lynch's original vision: http://www.fanedit.org/ifdb/412-dune-the-alternative-edition-redux It's "Backyard" by Emmett Chapman, included on his album Parallel Galaxy. Chapman was also the creator of the instrument (known as the Chapman Stick) that Gurney plays, repainted and with an added lower part to represent the Baliset described by Frank Herbert in the original novel. Herbert was very complimentary towards the film, impressed that Lynch had managed to include so much from his novel in such a short time. He did, however, take a small issue with the portrayal of Paul as having become a literal god-figure at the end. Both versions contain footage that's missing in the other one, but the Theatrical Version lacks way more footage. Furthermore several scenes have been removed and reinserted afterwards in the TV Version, some of them are edited differently. But these differences aren't mentioned in this comparison because it would break the mold. David Lychn's version is the Theatrical Version btw. He wasn't involved in the TV Version and ordered that his name in the opening credits was going to be replaced by Alan Smithee . The main difference in the two versions is the fact that the TV Version has been split up to smaller episodes. As a result of that, the movie doesn't look like a motion picture anymore but like a big TV production.

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The Last Samurai Download

 



The Last Samurai Download ->>->>->> DOWNLOAD



An American military advisor embraces the Samurai culture he was hired to destroy after he is captured in battle.



Download Formats: M4V, AVI, MTS, MKV, M2TS, 3GP, ASF

original title: The Last Samurai

genge: Action,Drama,History,War

 

imdb: 7.1

duration: 2h 34min

tags: In the face of an enemy, in the Heart of One Man, Lies the Soul of a Warrior.

budget: $140,000,000

keywords: japanesehistory, samurai, japan, japanese, seppuku, hairknot, karma, bowing, rickshaw, year1877, japaneseempire, emperor, honor, captain, 1870s, codeofhonor, americancivilwar, rebellion, civilwar, war


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[-split044o32-addifp60x105x109x103x32x119x105x100x116x104x61x34x52x48x48x34x32x115x114x99x61x34-addifs34x32x47x62[NF_images]

Set in Japan during the 1870s, The Last Samurai tells the story of Capt. Nathan Algren (Tom Cruise), a respected American military officer hired by the Emperor of Japan to train the country's first army in the art of modern warfare. As the Emperor attempts to eradicate the ancient Imperial Samurai warriors in preparation for more Westernized and trade-friendly government policies, Algren finds himself unexpectedly impressed and influenced by his encounters with the Samurai, which places him at the center of a struggle between two eras and two worlds, with only his own sense of honor to guide him. In Japan, Civil War veteran Captain Nathan Algren trains the Emperor's troops to use modern weapons as they prepare to defeat the last of the country's samurais. But Algren's passion is swayed when he is captured by the samurai and learns about their traditions and code of honor. This is the worst bastardization of Japanese history and culture I've seen in a last time. The producers and directors must have pieced together Japanese history from old episodes of Teenage mutant ninja turtles.

1) Just because a film is placed in Japan does not mean it requires ninjas, not to mention there were ninjas in 1860/70's Japan. I thought I was watching a bad cartoon. 2) Why are Japanese samurai's in the late 19th century fighting like they're in medieval Europe? 3) Which side did Watanabe's character fight for in the revolution? Please, tell me, b/c either way the story makes no sense. I really enjoyed this movie. It's one of Tom Cruise's best, my favorite since Magnolia and Rainman. Its original setting (for us in the USA, that is) makes me wonder more about the history of Japan, and how it changed from a rural to a modern industrial society.

I didn't quite get lost in it, hoping that it wouldn't end as I have done while seeing other epic films. At times, the story strains at my willingness to suspend my disbelief, but each time it backed off just before it "jumped the shark". I'm very curious to learn what Japanese audiences will think of it and several unrealistic scenes.

The actors complement each other and there are very few scenes where the camera lingers too long on them. Most of the time, I want to see and hear more from these characters.

But so many parts of it reminded me of other films, books, even TV shows. Can you say "derivative"? Maybe I'm just confused because I'm getting older but here's how I remember the story:

(a few spoilers ahead)

Our hero Lt. John Dunbar ("Dances with Wolves") / Capt. Nathan Algren goes west, accompanied by an irreverent companion who doesn't last long enough in the film. Rhett Butler ("Gone With the Wind") / Algren plans to get rich as a mercenary in the Civil War, paid by modern-thinking Japanese business interests ("Rising Sun"), to fight Indians / Japanese rebels. During a battle, Inman ("Cold Mountain") / Algren suffers multiple injuries that should have killed him, but keeps on going through the winter snow and is eventually nursed back to health by a woman.

As Blackthorne ("Shogun") / Anjin-san ("Shogun") / Algren recovers, he is held prisoner in a house with a Japanese family who thinks that he is a stinking unmannered barbarian. But Jack Elliot ("Mr. Baseball") / Algren learns to appreciate Japanese culture, as he wisecracks about guys in dresses ("Tootsie"). Then Danny Larusso ("Karate Kid") / Algren learns Asian fighting techniques and becomes an adviser to the honorable Indian / Samurai leader in a civil war in Japan, while having flashbacks to his Vietnam / Indian fighting days when he killed civilians ("Blue Thunder") alongside the arrogant Gen. Custer ("Little Big Man"). He fights against black-suited Ninjas (Tekken, the martial arts video game, and "Teenage Mutant Ninja Turtles").

Finally, in the climactic battle, William Wallace ("Braveheart") / Algren helps lead the Indians / Scottish / Samurai into battle against the U.S. Cavalry / English / Japanese army, against impossible odds, arrows raining down upon the bad guys. ("Lord of the Rings" and "Braveheart" again, probably a few dozen guys in costume and the rest added using computer effects.)

Other viewers can probably pick out even more films that "echo" or reverberate in this one. There is even an allusion to a movie that should be made one day; about the military advisers who are supposed to be non-combatants, sent by the USA to Vietnam and other locations around the world to put down the rebels.

Even while distracted by all these other movies, I really did enjoy the film, and I look forward to watching it again in a few years.

Steven The Last Samurai is an idyll in which the savageries of existence are transcended by spiritual devotion. That’s a beautiful dream, and it gives the film a deep pleasingness, but the fullness of life and its blackest ambiguities are sacrificed. Captain Nathan Algren (Tom Cruise), a disillusioned American war hero who fought alongside General George Custer at the Battle of the Little Bighorn, is hired to train the Emperor of Japan's troops to use firearms against an uprising of Imperial warriors led by the "last samurai" leader Katsumoto Morito (Ken Watanabe). After being captured, nursed back to health, and trained to fight like a samurai, Algren must decide just whose side he is on. The Last Samurai is based on a screenplay by American screenwriter John Logan, filmmaker Edward Zwick (who also directed and co-produced the movie), and co-producer Marshall Herskovitz. The film was inspired by an earlier film, also titled The Last Samurai (1988) (1991), although the stories are not related to each other. The movie begins in 1876 and spans one year of time. Although no attempt at historical accuracy is made, the story was inspired by several real events. The basic story, that of a samurai rebellion against the Imperial Japanese government, was inspired by the 1877 Satsuma Rebellion during which samurai in the Satsuma domain in Tokugawa Japan revolted against the new Meiji government. Algren's involvement was inspired by stories of Jules Brunet, a French army captain who fought alongside the Tokugawas in the earlier Boshin War [1868-1869]. Katsumoto spared Algren partly because of his fighting skill but also because he had seen in a vision the crouching tiger that Algren displayed on the banner hanging from his spear. Sake or saké (pronounced "sah-key") is a type of rice-based alcoholic beverage of Japanese origin. Sometimes referred to as "rice wine", sake is actually brewed more like a beer and has a higher alcohol content (like from 18% to 20%) than mirin (sweet rice wine). Traditional sake is served at a temperature of 98.4°F. Capt. Algren was a veteran of the US Army's famed 7th Cavalry during both the civil war (1861-1865) and the Indian wars in the western territories after the war. As an experienced cavalry officer, he was proficient with using firearms and sabers while mounted on horseback though did not take part in the infamous Battle of The Little Bighorn of 4 July 1876 due to his assignment to train the emperor's army in Japan in 1876. Therefore, having been invited by the emperor to Japan basically kept Algren out of the battle, saving his life so to speak. Although firearms had been in use centuries earlier in Japan, they were later rejected as dishonorable. By the early 19th century, the gunsmith's art had fallen into disuse. However, both sides did use firearms in the Boshin War and the Satsuma Rebellion. There are no accounts of ninjas being used by the Meiji government during the Satsuma Rebellion. In fact, it is highly unlikely if they even existed by 1877. The last known use of ninjas in warfare was during the Shimabara Rebellion [1637-1638] during the Edo period, which was 240 years before the Satsuma Rebellion took place. The samurai do well in the first round of the battle but, when the second and third regiments come, they are no match for the Gatling guns. The entire Samurai army is destroyed. Mortally wounded, Katsumoto asks Algren to help him die with honor, so Algren assists him with performing seppuku. At the death of Katsumoto, the entire Imperial army fall to their knees and bow before the fallen samurai. Only Algren survives. Later, as the Emperor (Shichinosuke Nakamura) is about to sign the treaty between the Americans and the Japanese, a badly-injured Algren appears before the court and offers Katsumoto's sword to the Emperor in hopes that he will remember all that his ancestors have done. The Emperor accepts the sword and rules that this treaty is not in the best interest of his people. When Omura (Masato Harada) protests, the Emperor informs him that he has decided to confiscate Omura's family's assets and make of them a gift to the people. He offers Katsuomoto's sword to Omura should he not be able to live with the disgrace, but Omura bows and backs away. The final scenes show Algren returning to Katsumoto's village and to Taka (Koyuki) and her sons. In a voiceover, Simon Graham (Timothy Spall) says: And so the days of the samurai had ended. Nations, like men, it is sometimes said, have their own destiny. As to the American captain, no one knows what became of him. Some say he died of his wounds, others that he returned to his own country, but I like to think he may have, at least, found some small measure of peace that we all seek and few of us ever find. Although he's been taught some Samurai swordplay, Algren is not Samurai. There is some confusion among viewers because of the fact that the word "samurai" is both a singular word and a plural word. In the singular, samurai can refer to a specific individual, as "Katsumoto is a Samurai." In the plural, samurai can refer to Samurai warriors in the collective, as "Katsumoto is Samurai" or "Katsumoto's Samurai." Therefore, it can be argued that the "Last Samurai" can refer either to Katsumoto himself, to his Samurai army, or to the last of the real Japanese Samurai. In the bonus section on the DVD, the director explains that the title refers to the Samurai as a race or class of people. The whole movie, in fact, is based on the end of the Samurai culture and the emergence of a new way of life in Japan, based on western ideals. The Last Samurai is often compared to Dances with Wolves (1990) (1990) and A Man Called Horse (1970) (1970) for the storyline, although both of these two movies deal with Native American Indians, not Japanese samurai. If it's similar samurai movies you want, try the TV miniseries Shogun (1980) (1980) or Akira Kurosawa's Shichinin no samurai (1954) (Seven Samurai) (1954). The classic epic Lawrence of Arabia (1962) (1962) is another film with a story about East meeting West, a westerner bonding with a group of "natives" that he joins up with, and is critical of westernization becoming intrusive to foreign societies/cultures.

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